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book corner 2013

In this section, we will be presenting books authored by members of ICOHTEC, or other outstanding works on history of technology. If you wish to see your book, or something you would like to share with others, feel free to send your proposal through this link.

 

2014 : 2013 : 2012 : 2011 : 2010 : 2000 : 1996

 

  Chasing Sound: Technology, Culture, and the Art of Studio Recording from Edison to the LP  
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Publisher:

Johns Hopkins University Press
Year 2013
Binding Hardback, 320 pp.
Language: English
ISBN-10: 1421410222
ISBN-13: 978-1421410227
   

From the back matter:

In Chasing Sound, Susan Schmidt Horning traces the cultural and technological evolution of recording studios in the United States from the first practical devices to the modern multi-track studios of the analog era. Charting the technical development of studio equipment, the professionalization of recording engineers, and the growing collaboration between artists and technicians, she shows how the earliest efforts to capture the sound of live performances eventually resulted in a trend toward studio creations that extended beyond live shows, ultimately reversing the historic relationship between live and recorded sound.
A former performer herself, Schmidt Horning draws from a wealth of original oral interviews with major labels and independent recording engineers, producers, arrangers, and musicians, as well as memoirs, technical journals, popular accounts, and sound recordings. Recording engineers and producers, she finds, influenced technological and musical change as they sought to improve the sound of records. By investigating the complex relationship between sound engineering and popular music, she reveals the increasing reliance on technological intervention in the creation as well as in the reception of music. The recording studio, she argues, is at the center of musical culture in the twentieth century.


Reviews:

"Chasing Sound is a rich account of the development of recording studio technology and musical culture. It offers captivating new material and is a valuable contribution to scholarship in sound studies."

Emily Thompson, Princeton University

 
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Page updated: October 9, 2013

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